It has long been held
that Alan Moore and Brian Bolland's 1988 graphic novel “The Killing
Joke” is one of the best Batman standalone tales ever told. A
gritty script, coupled with sumptuous art, means it stays in the mind
long after it's 64 pages have been devoured. Moore, in typical grumpy
style, as said that he 'never really liked it', and found it 'far too
violent and sexualized'. Odd quotes from a man who had the final say
in the script, but let's be honest he's always been an odd bugger.
You won't find Moore's name anywhere in the credits to this brand new
animated version, simply because that's what he wanted, happy to see
all monies go to artist Brian Bolland.
After thoroughly
enjoying the 'comic to screen' animated version of Frank Miller's
“Dark Knight Returns”, I was still sceptical about this one,
mainly because it was never going to look like the comic. Bolland is
and was one of the best, most detailed comic artists about, and no
way was anyone going to be able to do him justice. As expected, this
is in DC's house style, farmed out to the far east presumably to cut
costs. It looks as okay as the company's other output, with slightly
jerky animation due to a lack of frames and some nice touches
throughout.
Comics stalwart Brian
Azarello handles the script, and because the source material is only
good for about 40 minutes he gives us a pointless extended prologue
involving Batgirl, Batman and a villain who has no involvement or
relevance to the main story. Batgirl fans should probably skip this,
as it really doesn't do her any favours. Once it gets to the actual
source material, Azarello lifts dialogue wholesale, even down to the
Joker's “I Go Loony” song. This is not, however, a bad thing, as
Moore's dialogue is always a pleasure to read or hear, and for the
most part doesn't suffer from the shift to animation.
So this is really a
mixed bag, with the first half coming across like a separate episode
from the TV series that's been bolted on, and the second half doing a
good job of living up to the title. After watching it I felt like I
wanted to read the comic again, as it's so much better, something I
didn't feel so much after “The dark Knight Returns”. Whatever
Moore thinks, it's a superbly good read, and will always get
recommended over this version. “The Killing Joke” animated is
simply an adaptation that wasn't needed, and succeeds mostly in
watering down a great piece of literature. There have been a few
moans about it's 'adult' themes, but there really is nothing too
graphic, although the script does add in a needless extra scene to
let you know that the Joker gets horny when he escapes. File under
'watch once then forget'.
Trailer:
Batman: A Hurting Tale is actually a 1988 DC Comics one-shot graphical work of fiction boasting a character types Batman as well as Joker compiled by Mike Moore plus created by way of John Bolland. A Hurting Tale offers an starting point narrative for any supervillain a Joker, loosely adaptable with the 1951 narrative arc "The Dude Regarding a Purple Hood! inches. Coming about through not one but two timelines, A Hurting Tale depicts a Joker planning to commute Jack Gordon outrageous plus Batman's serious make an attempt to prevent the pup.
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Brought to life by Moore plus Bolland when their tackle a Joker's reference plus mindset, a narrative turned prominent due to its starting point of your Joker for a terrible nature; kids dude plus bad comic who seem to dealt with "one terrible day" this as a final point forced the pup outrageous. Moore said that he or she experimented with exhibit a similarities plus contrasts regarding the not one but two character types. A story's benefits to the general audience Batman continuity as well provided a taking plus paralysis with Barbara Gordon (a. p. your. Batgirl), production this planted a ground moves for her to set a name with Oracle.
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