DEADPOOL (15) - Film Review

This could have gone so horribly wrong. A superhero movie that features a lead character that kills people, swears, has sex and talks to the audience? Man, that could've backfired big time, but if you want to make a Deadpool movie that honours the source material that's just what you have to do. So here it is: the first big budget film based on a Marvel property that's definitely not for kids, although kids are gonna love it, trust me.

Wade Wilson is a mercenary, dishonourably discharged from the forces, he now sells his services to people who want him to deal with scumbags. This is made clear: Wade Wilson is NOT a bad person, but he likes doing bad things to bad people – he's good at it. Essentially, Wade falls in love and gets cancer, so much cancer that he's basically fucked eight ways to kingdom come. A shady guy says that his organisation can cure him and also give him powers, so what's to lose, right? Long story (filled with pain) short, Wade gets cured, gets mutilated, gets powers, and becomes Deadpool to get both revenge and his movie star looks back. That's your basic plot, now add swearing, violence, sarcasm and rude jokes. Ta daaa – Deadpool the movie.

Amazingly, it's not actually a bad plot. It;'s simple enough to follow, and has enough detail to make you actually care. This is helped by uniformly good performances, including the awesomely lovely Morena Baccarin as Wade's girlfriend. The star is, of course, Ryan Reynolds, who you would think was born to play this character. His previous disastrous appearance as Deadpool in Wolverine: Origins is quite rightly mocked a couple of times, as is Wolverine himself. The origin story is told in flashbacks rather than in a linear fashion, and it does a good job of spacing out the incredibly well shot violence as Deadpool tracks down the man who cured/maimed him/made him immortal. This a film that looks GOOD. We even get a couple of X-Men thrown in, with a totally CGI Colossus and dwarf Sinead O'Connor called Negatonic Teenage Warhead. At the X Mansion, Deadpool quips that it's almost as if the producers couldn't afford any other X-Men.

Like many fans (although not of all his comics) I was looking forward to this and also dreading a massive clusterfuck as a frightened studio backpedalled away from everything that makes Deadpool Deadpool. Let me assure you that no such thing has happened, and it really is like watching a live action version of the best of the comics. Deadpool tells the audience that it's a love story, and at heart this is totally true, but love really does hurt (mostly other people). It will make you laugh out loud many times, and I can say with sincerity that people who have never heard of Deadpool can still enjoy it for the sheer amount of silliness packed in. Remember, though, they also have to like violence and profanity so choose your date wisely.

Deadpool has quickly inserted itself at the top of my favourite Marvel movies tree (although it is made by Fox). It's up there with Guardians Of The Galaxy for action packed fun, and a real shot in the arm for the genre after the limp cumrag that was Fantastic Four. It's juvenile for the most part, and over the top throughout, but there's going to be a sizeable audience out there for it, I'm sure. Oh, and don't forget to stay for the post credits scenes, y'hear?

ALBUM REVIEW: MAGNUM - 'Sacred Blood, "Divine" Lies'

Incredibly, this is Magnum’s eighth studio album since reforming in 2001, only two less than their output beforehand. Maybe it’s time to judge Magnum on what they are now, rather than what they were, and stop crossing fingers and waiting for ‘…Storytellers’ part 2. The simple truth is that Magnum remain an astonishingly consistent rock group, and as such this new album will delight existing fans whilst having enough quality to hook a few new ones at the same time.

The title track opens the album, and as expected it’s Tony Clarkin showing his usual disdain for religion. More than that, it’s a huge melodic stomper with a very Magumesque break in the middle. It bodes well for an album described in the press release as being ‘among the group’s most dynamic releases’. The track itself is certainly a highlight of the album for me, along with ‘Quiet Rhapsody’, a quieter song with a solid, catchy guitar refrain and excellent vocal work from the ever reliable Bob Catley. That said, this isn’t an album with any weak tracks at all, full of guitar heavy bruisers that have will have old fans such as myself doing the Bob Catley arm movements as they listen and sing along. There’s no short, sharp fixes, as all the tracks clear the four minute mark, but those hoping for a Clarkin magnum opus will be unsatisfied, as nothing reaches the seven minute mark either.

‘Sacred Blood…’ is, in my eyes (and ears) the finest Magnum album since they returned, purely because of the sheer quality of the whole thing. There’s no temptation to skip a track, and each has it’s own merits whilst resolutely remaining Magum-like in essence. ‘The Gathering’ compilation was a fantastic reminder of what modern Magnum is all about, and took the standout tracks from several albums. ‘Sacred Blood…’ matches those standout tracks, with Clarkin choosing  wisely from the 25 tracks he had written, narrowing it down to a solid ten. Well, I say that, but the digi pack has three extra songs that I didn’t get sent. Boo! What I do have, though, is a Magnum album that I know will remain a favourite.

STAR WARS : THE FORCE AWAKENS (12A)

SPOILER FREE REVIEW (If you’ve seen the trailer, anyway)

It’s been a long wait for a Star Wars film worth the title. Anyone with any honesty within themseloves knows full well the prequel trilogy just wasn’t good enough, being soundly trounced by three films made with toilet rolls, glue and, most importantly, heart. Thank Bod, then, for Disney, who paid a lot of Micky Mouse money to wrest the franchise from George Lucas.

So tension and excitement have built, with the seemingly safe pair of hands that is JJ Abrams at the helm, not only a great director but a massive fan.  We were promised less CGI and more passion, more like the first film, and that, my friends, is exactly what we’ve got.

Watching ‘The Force Awakens’, it’s easy to see that Abrams and his cohorts realized that what they wanted was to make a similar impact on new viewers as the original did on us old farts in 1977. He’s cast relative unknowns in all the leads (aside from returning characters) and stripped the story back so we come full circle, with a young nobody, Rey (Daisey Ridley), getting mixed up in intergalactic war. The war this time is between the New Order and the Resistance, basically the Empire and the Rebels thirty years on. She is teamed up with a deserter Stormtrooper, Finn (John Boyega), which is a nice touch, and a robot called BB-8 which is basically a smaller, cuter, more mobile version of R2-D2. Rey and Finn get caught between the New Order’s new weapon (more a Death Planet than Death Star) and the Resistance, both of whom want information from the BB—8 droid. It’s a rather similar plot to ‘A New Hope’ in outline, and all it needs is a plucky Corellian smuggler to join in. Oh, wait...

When it gets things right, which is most of the time, the film delivers in spades. Tie fighters, star destroyers, X-wings, Lightsabres, Chewbacca actually using his Bowcaster, Han Solo being, well, Han Solo – it all works so well, bolstered immensely by the likable Daisy Ridly and, to a lesser extent, John Boyega. There’s an effective new bad guy, too, in wannabe dark side master Kylo Ren, and you can expect to see his nifty lightsabre in shops all over the place. I loved the fact that old characters returned, but are not allowed to overshadow the new ones, with Harrison Ford being given the meatiest part of any. 

So I suppose this is Star Wars for a new generation, whilst keeping the old generation happy as well. It looks fantastic (even the 3D version is great), with plenty of aliens wandering around and even a cantina-type scene complete with band. There’s no mention of midiclorians, and Jar Jar Binks is consigned to the dustbin where he belongs.  There’s several superb action set pieces, and the fighting is much more graphic and realistic than before, warranting a deserved 12A certificate.  My only niggle is the fact that the New Order’s big boss is never explored in any way, but I would hope this will come in a sequel. So is The Force strong in this one? Fuck, yeah!

Trailer

'PIXELS' - Hey! It's Not A bad Film!

Wow... this film has attracted some particularly venomous internet comments, even for an Adam Sandler vehicle. Myself, I used to quite like Sandler when he made funny films, but nowadays he's rather hit and miss. I quite like the gentler stuff like 'Blended', but throw in 'Jack & Jill' or the abysmal 'Grown Ups 2' and you have more misses than hits. 'Pixels' is his last proper film before he leaves Sony (he's also doing 'Hotel Transylvania 2), and boy do people hate it.

So whilst I sat prepared for the worst, I was hoping to enjoy this one, as I'm a fan of old arcade games myself (old enough to remember them as new arcade games). In case you didn't know, 'Pixels' concerns an alien invasion which takes the form of 80s video game challenges, with earth having three lives to lose the planet for good. President Cooper (Kevin James, just get over it) calls in his old buddies from childhood to help out, as the invaders are using the same pattern template that they used to be so good at defeating in the arcade. That's the meat and two veg of it, with Sandler playing Brenner, a nerd who never really did anything with his life and all the usual zero to hero guff. Predictable? Well, yeah.

Whilst it's never going to be mentioned in the same breath as the likes of 'Ghostbusters', 'Pixels' does it's job very well. The characters are pretty basic, although kudos to Peter Dinklage for making his video game bad boy/twat Eddie more than two dimensional (with a GREAT mullet). There's even the standard love interest, although Michelle Monaghan at least gets to give her some balls. So why isn't it shite?

Well, in simple terms it's just an enjoyable film. No one dies (not even Sean Bean!), there's no foul language and all the violence is literally video game violence. There's plenty of characters for fans to spot (The dog from 'Duck Shoot' anyone?), and the effects really are spot on when it comes to realizing these classic games in real life and dimensions. This was never going to be deep or meaningful, and it doesn't even try. It's a sit down, watch, have fun, leave movie, nothing more. I may watch it again in a few years when it's on TV, but I'm not likely to go around shouting it's virtues from the hilltops.

The honest truth is I enjoyed 'Pixels'. It's fun and user friendly. Maybe it's better for me because of the nostalgia factor, or maybe I just don't feel the need to hate on Sandler like so many others, merely to take each film as it comes. All I'm saying, is give 'Pixels' a chance.

Trailer #2

JURASSIC WORLD - Film Review

Jurassic park, as a theme park, hasn’t exactly got a good track record. Whilst the idea of real, live dinosaurs is nine shades of awesome, shit always happens. As Ian Malcolm put it in the first film: “Oh, yeah. Oooh, ahhh, that's how it always starts. Then later there's running and um, screaming”. It’s not exactly a spoiler to say that in this, the fourth instalment, there is plenty of running and screaming.

The science blokes, you see, have created a new dinosaur. After all, it’s been twenty years since the first ones were unveiled (and all the subsequent running and screaming) and the public is getting bored of dinosaurs. Basically, Jurassic World is all well and good but to the kids it’s just another zoo. So, they think, what we need is something bigger and nastier to bring the crowds, as everyone loves a good carnivore. They whip it up in the lab, chucking in DNA from all over the shop to help it stick together, then let it grow to full size for some reason before actually letting any experts take a look. This is a bit of a big plothole, to be honest, but who cares that much when you’re watching a daft fantasy adventure flick. 

So we have Indominus Rex (easy to pronounce is important, apparently), a massive murdering machine that would surely cause massive havoc if it ever got loose. Phew! Good job the people in the park would never let THAT happen. Cue running and, indeed, screaming. 

As far as characters are concerned, we mainly focus on Park bigwig Claire (Bryce Dallas Howard), her nephews who naturally choose the worst week EVER to visit and hunky ex navy dinosaur whisperer Owen (Chris Pratt – the new Harrison Ford). Basically, shit hits the fan, kids wander off (like they do), so Claire and hunky monkey go off to find them before they are munched. Yeah, there’s more, including a nice turn from Vincent D’onofrio as an asshole who thinks we can weaponize dinosaurs, but essentially that’s the gist of it. 

Thing is, this is a big ass Summer blockbuster movie, and so it’s all about entertainment and not complex plots. I have to say that on that front ‘Jurassic World’ delivers pretty well. There’s more dinosaurs than you can shake a stick at, and the park set up is incredibly well realized. The new kid on the block is suitably terrifying, although my personal favourite is an enormous shark munching sea dino that is kept in a massive pool (warning: Front 100 rows will get wet). We even get a suitable return for Me T Rex and well structured nods to the original move that don’t seem forced. All in all, this does just about everything it sets out to do, with incredible effects, good performances and a solid story. Will there be another one? Well, there may not be another park, but you can bet the dinosaurs will pop up again somewhere.

TRAILER:

 

'REVENGE' - Graphic Novel review

Jonathan Ross is very well known in the UK as a radio and TV presenter, though not so well known as a massive comic fan and sometime author. His first effort, ‘Turf’ was a novel premise that mixed gangsters, vampires and aliens, but was too long winded for me. He hit pay dirt with his novel people with powers book ‘America’s Got Powers’, which read a lot like a book from his friend Mark Millar, aided be superb visuals from Bryan Hitch. For his latest, now collected in book form, he has gone in another direction – gross out violence

‘Revenge’ concerns aging action movie c-list star Griffin Franks, whose forty year old character ‘The Revenger’ gets a lucky relaunch and turns him into a star again. Convinced by his trophy wife to nip down to Mexico for an anti aging skin graft, he is betrayed and left with no face or fingertips, in constant agony. In the manner of his famous character, when he inevitably gets loose he and a dwarf with horns grafted to it’s head (don’t ask), pop back to the U.S.A for some bloody, violent revenge. As you would…

The scripting for ‘Revenge’ is decidedly wobbly and at times unconvincing, and it’s like Ross just wrote it whilst on the toilet over the course of a few days. It’s left up to artist Ian Churchill to breathe life into a twisted version of a standard premise, which he does so with gusto. This is a blood soaked tale, make no mistake, and thanks to the art it mostly succeeds in being readable and at times quite fun and entertaining. If it was a film, it would be straight to DVD, but there would be plenty of people enjoying it’s over the top bloodlust.

Three very different stories have come from Ross so far, each with their own pros and cons. ‘revenge’ is probably the weakest of them, substituting gore and tits for a solid script, but as I say it still has a charm that will please fans of over the top action, the ‘Crossed’ crowd especially. Worth checking out, but forewarned is forearmed.

SPY (15) - FILM REVIEW

I have to admit straight off the bat that I enjoy watching Melissa Mccarthy. At her best when allowed to insult people in creative ways, she is also a dab hand at injecting real pathos and soul into characters that otherwise could have been rather one dimensional. In ‘Spy’, she adds another string to her bow, perhaps an unlikely one – action star.

McCarthy plays Susan Cooper, who is the partner of super spy Bradley Fine (Jude Law). When I say partner… he goes out and does all the spy stuff and she sits in ‘The Bunker’ directing him and basically doing her best to keep him alive, something she does very well, and we are left in no doubt that Susan is a smart woman who secretly loves the pants off her distant partner. When he gets a bit dead, thanks to evil bitchbag Rayna (Rose Byrne), the agency are told in no uncertain terms that said bitchbag knows every one of their agents. The plan, then, is to send someone she could never know, and as Susan is actually a fully trained field agent (who has never been in the field) she should go on an important surveillance mission involving Rayna and a nuclear bomb. What could go wrong?

The best news about ‘Spy’ is that it’s written and directed by Paul Feig, who worked so well with McCathy in ‘Bridesmaids’ and ‘The Heat’. Her character this time round is more mousy than the ones played in those movies, but fans will be glad to know that about two thirds of the way in she is allowed to let the inner demon out to play and boy does it like to play. Profanity and very creative insults sparkle across the screen, as McCarthy also kicks some serious ass in one particularly well directed kitchen fight scene.

Although two hours long, ‘Spy’ is continuously entertaining. Jude Law is convincing as a super spy, Allison Janney works well as the CIA Director, Miranda Hart makes a decent Hollywood break as (shock horror) a clutzy big posh girl, and Rose Byrne looks spookily like Madonna, which makes her character even easier to loathe. The standout supporting cast member, however, is Jason Statham ad Rick Ford, a spy who has plenty of ludicrous tall stories that get sillier and sillier (‘See this arm? It was ripped off then sewn back o by the other arm’). Statham gets to play comedy, but plays it totally straight (without having to use his awful American accent, thankfully) and provides plenty of laughs.

In a nutshell, ‘Spy’ is a fine addition to Fieig and McCarthy’s joint CV, and if you liked their previous films you’ll love this one. It’s smart, has an actual plot and is sooooo funny all the way through. I look forward to what they come up with next. 

Trailer